Linernotes Essay, Vinyl Edition
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By Ray Wawrzyniak
In hundreds of interviews throughout Rush's incredible 40-year career, the question posed most often to bassist Geddy Lee, guitarist Alex Lifeson, and drummer Neil Peart is something along the lines of, 'How have you stayed together so long?' All three agree on one - perhaps the key personal factor that's kept the trio intact: their friendship. As musicians and songwriters, Lee, Lifeson, and Peart are equally unified in their desire to grow and challenge themselves, which sets the stage, so to speak, for this highly anticipated vinyl release of Clockwork Angels Tour.
It was evident early on that Rush would never be complacent. They were a band that needed to grow, evolve, and continually push both themselves and their fans. After releasing their eponymous debut album, drummer John Rutsey departed, leaving Lee and Lifeson to find a replacement. The band's third album - and second with drummer Neil Peart - Caress Of Steel, established their sound, direction, and out-of-the-box thinking with its entire side-long suite.
Unfortunately, a tour in support of the album was less than successful, and the bandmates knew their backs were against the wall. They knew they had to deliver, and boy, did they respond! Their next album, 2112, Rush's first to crack the American Top 100, took off and earned them an ever-increasing legion of fans, along with greater trust from their record label. Time to rest on their newfound laurels now, right?
Absolutely not. Quite the opposite, in fact. In the years and tours to follow, Lee, Lifeson, and Peart continued to venture even further. They added a greater variety of instruments to the band's collective arsenal. The songs themselves began integrating different styles of music and became infinitely more challenging, both for the band and the listener. They also decided to try their hand at writing shorter songs - songs that were as effective as their epics but more concise. Neil Peart himself decided to relearn the drums from scratch under the tutelage of jazz drummer and teacher Freddie Gruber.
By the late 1980s, the band had practically evolved into a small symphony orchestra with lush productions. Beginning in 1996, the band decided to up the ante onstage with longer, hours-long performances under the banner of 'An Evening With Rush,' which not only gave the fans what they wanted - more Rush! - but also pushed the band to its physical limits. All of which, inevitably, leads us to the Clockwork Angels tour.
Almost 40 years in, recording an album of new material is challenge enough for any established band. Recording an entire concept album, though . . . well, not even the most ardent Rush fan would have expected such an ambitious endeavor. Nevertheless, in June 2012, Rush released its musically diverse 20th studio album, the sprawling suite Clockwork Angels. Three of Rush's 70s studio albums feature side-long pieces, but, prior to Clockwork Angels, the band had never recorded an entire album dedicated to one consistent storyline. To take such an adventurous, new body of work out on the road was demanding enough. To do so with the nine gifted string musicians who joined Rush onstage during the Clockwork Angels tour is another story still.
As you'll hear on Clockwork Angels Tour, the first half of the show features only Lee, Lifeson, and Peart: the band you know and love. From opener 'Subdivisions' through first-half closer 'Far Cry,' the crowd is treated to quintessential, unmistakable Rush. Songs the band had not performed in years - 'Grand Designs,' 'The Body Electric,' and 'Territories' - are featured here. Dusting off those long-unheard gems alone certainly would have created its own unique set of obstacles.
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The majority of the second set - from 'Caravan' through 'YYZ' features the nine string players, dubbed the 'Clockwork Angels String Ensemble' by Geddy Lee, as Rush once again raises the live-performance bar. And did they succeed? In the words of the inimitable Dr Seuss, 'Yes, they did - indeed!' Whether playing along to parts straight off of Clockwork Angels, or adding texture to Rush classics such as 'Dreamline,' 'Red Sector A' and 'YYZ,' the Clockwork Angels String Ensemble's performance reinforces their place onstage alongside the legendary Rush. The reward is great for all involved: for the band, for the ensemble, for those in attendance in Dallas on November 28, 2012, and, just as importantly for you the listener, here and now.
You, in the comfort and luxury of your own home, are now the beneficiary of Rush's career-long commitment to constant evolution. You can sit and listen to the majesty of 'The Wreckers' performed with the drama that surrounded its live presentation. You can experience the grandeur of 'The Analog Kid,' the rediscovery of 'The Body Electric,' the self-influenced, bombastic performance of 'Headlong Flight,' and the emotional end to the Clockwork Angels suite, 'The Garden.'
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It has been said that the ultimate measure of a man or woman is where that person stands in moments of challenge. When considering the ability to adapt and drive themselves far paste even their own musical expectations, Rush stands head and shoulders above their contemporaries throughout their remarkable career.
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You and I are so fortunate to reap the rewards here on Clockwork Angels Tour.